talbany wrote: I have not studied Digital formats for quite a while now so they may have overcome some of these issues perhaps someone can clarify if it has..
Hi Tony,
Here I've attached a file with a report on the new Fraunhofer HD-AAC Codec, a great example for an application of psychoacoustics.
I love that old McIntosh tube stuff.
That 60 year anniversary amp is awesome!
I'm still trying to talk a buddie out of a couple McIntosh mono block amps.
As far as I know they are collecting dust in his garage.
I was never into the Grateful Dead per say although I enjoyed a lot of their songs.
I was aware of the wall of sound but didn't really know much about it.
Was Bob Weir responsible for getting the band into that system?
Some day I hope to own a McIntosh Hi Fi set up.
What is weird, is I always thought of The Dead as a fairly simple band and good basic songs.
Seeing that high tech PA system makes them seemed very advanced and high tech and that was 20-30 years ago.
Yeah no it was not Bobby that got them into Mcintosh but Stanley Owsley.
The wall of sound is an incredible achievement imho. You could fill a stadium with sound yet you could put your ear directly against any single driver without fear of damaging you hearing in the least.
They were really simple band with simple songs....till you get about half way through the show.
Yeah as far they gear goes they were light years ahead of anything else out there. They funded a lot of aspiring companies and ideas that no one else would have. The results of which are in every major studio and and most any venue using a modern PA system.
Yeah they are a bunch of drug addled hippie dippies... but there is no doubt they pushed the audio scene very hard and I guess they had enough money to get results.
ampdork wrote:Yeah no it was not Bobby that got them into Mcintosh but Stanley Owsley.
Stanley Owsly, the one who lit up the Monterey Pop Festival with Purple Monterey/Owsly Acid?
What is weird, is I always thought of The Dead as a fairly simple band and good basic songs.
Some of the Deads songs are downright hard to play with a 6 piece band, they Orchestrated sooo much music, its amazing that they remembered all the songs and wrote new material up till the mid 90's (Jerry's untimely death).Most bands from that era rehashed their songs for 20 years, The dead has more intricate songs than one can even fathom.
I've seen gobs of Dead shows over the years. The wall was a great system, but was replaced by a even better sounding more conventional system. Meyers stuff.
Was good enough for Sinatra over the years too!
A couple bands I had in Chicago, where I grew up..... played a bunch of Dead tunes......was a lot of fun for sure.
Good to see other tune in and drop outs here!!! LOL!
Structo wrote:I love that old McIntosh tube stuff.
Hi Tom,
just to avoid misunderstandings:
"Note: the amplifiers used were all identical dual channel 300 watts per channel solid state type with matching transformers except for one each in the vocal and drum system which were Tube type at 350 watts, and operated the tweeters." source: http://www.dozin.com/wallofsound/index.html
AFAIR they used around 90 of these SS amps and only an handful of tube amps for the wall of sound.
Here’s a picture of a SS McIntosh MC 2300 as used by Jerry Garcia to amplify his Twin pre: