bluesfendermanblues wrote:heisthl wrote:Nice clip - I hear a little of the "Ernie Isley" tonality on the low notes which (if you don't like it) can be eliminated with the Gil Ayan entrance mod if you're already using 220k/150k plates in the OD section, if not just going to those might do it.
As far as the voltages go - ditto what Gary said and I would add that the 472 is actually a nice place to be on the output tubes.
Try a couple of different tubes in V1 and if that doesn't do it increase the dropping string resistor to B+4 by 3k or so. (15k to 18k or 22k to 27k etc.)
What is the Gil Ayan OD entrance mod? is it the 47nF/10Mohm ?
For what it's worth, "my" mod is .0047uF (4.7 nF) // 4.7Meg. I don't use it in the amp(s) with 100K plate loads, but I did use it in the amps with 220K/150K plate loads. If you play a Strat and or a "phat" humbucker guitar, like a 335, you will probably like it or some variation of it. If not, don't worry about it.
Some of the classic EQ Dumbles used a .01 or .02 uF coupling cap out of V1B. If you have a .047uF cap there, maybe the additional .047uF or .02uF will get you close to where Dumble tuned those amps. Anything lower than that and you will start trading smoothness for a thinner sound. If you play in a small band, don't go overboard by going too low. If you play in a large band or do a lot of recording in other than a "guitar oriented" situations, the engineers will always lop off the bass for you anyway, so you might as well go with a leaner but smoother sound right out of the gate.
Also, in the amps I had that, I had a Deep switch as well (as opposed to a Mid switch), such that I could always get a bit more low end out of the amp if I needed it. Based upon your sound clips, you may actually benefit from fine tuning that area of the circuit to enhance note definition in the lower register.
Cheers,
Gil