When Using 4, 8, or 16 Ohm Taps....??

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R.G.
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Re: When Using 4, 8, or 16 Ohm Taps....??

Post by R.G. »

dorrisant wrote: Thu Aug 04, 2022 5:34 pm Well, I didn't swear by what I read, only that it seemed plausible. One could certainly test the theory by running into dummy loads for each of the output taps while monitoring the result on a scope or spectrum analyzer. Not that I have time to do so and my ears have never heard any difference.
Oh - sorry. I wasn't commenting on you. You are right - the concept floats around the net, and you were not proposing it as true, just that verification needs testing. I ...completely... agree with that approach to tone issues.

As you can tell, this whole issue hits one of my hot buttons. :D
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Re: When Using 4, 8, or 16 Ohm Taps....??

Post by Stevem »

You can’t truly test by running into a dummy load because the inductance does not change like what it actually does when the voice coil is moving thru the magnet.
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Re: When Using 4, 8, or 16 Ohm Taps....??

Post by dorrisant »

R.G. wrote: Thu Aug 04, 2022 9:29 pm
dorrisant wrote: Thu Aug 04, 2022 5:34 pm Well, I didn't swear by what I read, only that it seemed plausible. One could certainly test the theory by running into dummy loads for each of the output taps while monitoring the result on a scope or spectrum analyzer. Not that I have time to do so and my ears have never heard any difference.
Oh - sorry. I wasn't commenting on you. You are right - the concept floats around the net, and you were not proposing it as true, just that verification needs testing. I ...completely... agree with that approach to tone issues.

As you can tell, this whole issue hits one of my hot buttons. :D
No worries, no offense taken. :)
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Re: When Using 4, 8, or 16 Ohm Taps....??

Post by wpaulvogel »

Remember also that I think we’re talking about a guitar amp and transformer. We generally prefer distortion in this case. I’m not talking about clipping but simply a difference between input and output. Phase shift also. In high fidelity, we want little to no distortion, maybe just a touch for warmth. In guitar we can tolerate the distortion and find that it’s pleasing, hopefully. The guitar transformers I’ve taken apart have more primary copper mass than secondary by enough quantity to conclude that they intended for it to be far from ideal.
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Re: When Using 4, 8, or 16 Ohm Taps....??

Post by R.G. »

wpaulvogel wrote: Fri Aug 05, 2022 11:01 am Remember also that I think we’re talking about a guitar amp and transformer. We generally prefer distortion in this case. I’m not talking about clipping but simply a difference between input and output. Phase shift also. In high fidelity, we want little to no distortion, maybe just a touch for warmth. In guitar we can tolerate the distortion and find that it’s pleasing, hopefully.
Yep. Hifi, no distortion, guitars distortion.
However, transformers are funny about distortion. A transformer distorts by the mechanism of higher magnetomotive force (~ampere-turns, "H") causing diminishing increase in magnetic field flux ("B"). This decreases the incremental primary inductance; you get effectively lower primary inductance for each increment of higher volts*seconds on the input wave. This requires higher and higher currents from the primary driver and decreases the coupling to the secondaries. It's not saturation, as this happens through out the whole BH curve. It's just negligible at low drive/signal levels.
In P-P OTs, the effect is symmetrical, so for an AC signal, both half cycles are subjected to it, amounting to a gentle and slowiy increasing primarily third-order harmonic. In SE OTs, this happens only on one polarity of the signal, so it's much more a second-order thing. The effect is volts*time related, so it is very much a bass frequencies thing. The bigger the primary inductance (that is, the more iron and more turns) everything else being equal, the less the effect.
I spent some time trying to use this effect for a very gentle distortion, but concluded that it was too limited to bass notes to be any use. Maybe for bass players. Maybe.
The guitar transformers I’ve taken apart have more primary copper mass than secondary by enough quantity to conclude that they intended for it to be far from ideal.
Yep, I believe that. The equal-window-area thing is just where the design starts. Other considerations often push the design to be not equal-areas. Power transformers are generally closest to this "ideal", as their operating conditions are very predictable, and it is VERY desirable to have equal power waste per unit volume. Guitar OTs are optimized in other directions, including especially lowest cost, which would push for a single primary winding setup for many different part numbers of OT, each of which has a different secondary layering/turns/impedance ratio.
In design you start off trying to do the ideal, then get forced to take into account special cases.
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Re: When Using 4, 8, or 16 Ohm Taps....??

Post by bepone »

R.G. wrote: Thu Aug 04, 2022 9:17 pm
- what is the efficiency of tranformer (losses in primary+secondary) also meaning speaker volume (!), on 4 to 4 compared to 16 to 16 ohms?
If both transformers are well designed, no change in efficiency at all. Speaker volume depends on the speaker setup (individual speaker watts-to-SPL efficiency) and any series/parallel hookups. If the speaker setup is properly matched to the output impedance setting, almost no change for the speakers.
we dont have 2 tranformers, question is practically what is going on one standard single transformer, when using 4 ohms tap, and the whole secondary on 16 ohms? :wink:

or if you have 2 speakers in the box, each 8 ohms, and you can connect them in 4 or 16 ohms total resistance. what is going on on taps 4 ohms and what is going on on 16 ohms? what is efficiency=?

and then how much is parasite inductance Lp on 4 ohms tap, and how much is on 16 ohms? so simple question on one transformer. are the parameters the same?

easy to check all the answers and find conclusion.
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Re: When Using 4, 8, or 16 Ohm Taps....??

Post by wpaulvogel »

You’re asking the million dollar question. Without complete analysis of the specific transformer, there’s no way to speculate.
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Re: When Using 4, 8, or 16 Ohm Taps....??

Post by R.G. »

bepone wrote: Fri Aug 05, 2022 6:27 pm
R.G. wrote: Thu Aug 04, 2022 9:17 pm
- what is the efficiency of tranformer (losses in primary+secondary) also meaning speaker volume (!), on 4 to 4 compared to 16 to 16 ohms?
If both transformers are well designed, no change in efficiency at all. Speaker volume depends on the speaker setup (individual speaker watts-to-SPL efficiency) and any series/parallel hookups. If the speaker setup is properly matched to the output impedance setting, almost no change for the speakers.
we dont have 2 tranformers, question is practically what is going on one standard single transformer, when using 4 ohms tap, and the whole secondary on 16 ohms? :wink:
The short answer is that the effects are too small to matter for the specialized case of guitar amplifier use.
A longer answer is as follows:
- For any given guitar amplifier OT, you have no idea what the windings are like inside it - how many turns of what gauge wire, and how hard that drives the magnetic field in the core.
- Not knowing wire gauges and turns per winding section and wire length means you can only measure the end-to-end resistance of the winding sections. It becomes very difficult to tell from external resistance whether the 4 ohm tap is the center tap of the 16 ohm winding or is a separate section connected only to the 16 ohm winding at the common terminal. Further, if you could tell that 4 ohms is a tap in the middle of the 16 ohm winding, you can only guess whether the wire gauge for the 4 ohm section of the 16 ohm winding is thicker as befits more current in the 4 ohm case. Ideally, it would be. But it would take some precision instrumentation and testing to make a good guess without tearing down the trannie.
- Not knowing the interleaving setup - or lack of interleaving, which is vastly more common in guitar amps - means it's hard to make any sense of the leakage inductances; about all you can do is measure them and/or the frequency response and make guesses. This is not impossible, but it takes some instrumentation.
- The power lost in the primary and in the magnetizing current is constant for a specific power level, as the primary is where everything involved with heating the primary wire and the iron happens. Any secondary at all that puts out the same power through the transformer allows the same primary and core losses.
- The secondary windings will be where all of the differences in secondary losses happen. There will be small differences in the losses, depending on how closely the wire gauges and window fill keep the winding-resistance-cause-heating. A properly-designed transformer would keep the total secondary losses down to (...crudely guessing based on experience) about a quarter of the total transformer losses. Again, guitar amp OTs are intended to be as cheaply made as possible while still keeping the customer base happy-ish. And remember that the PT and OT are the second and third most expensive parts in a guitar amp. The most expensive part is the cabinet and appearance items, btw. The OTs are simply not designed with best electrical/signal performance in mind.
- Guitar amplifier makers do not make their own transformers. They buy them from OEM transformer suppliers. The suppliers just have to make an OT meet the power handling and bandwidth specifications, so the amp makers may not even know what's inside the trannie, especially when they change suppliers over time.

About now you're getting frustrated again. You want me to simply say "4 ohms tap is better/more efficient/etc." or "16 ohms tap is better/more efficient/etc. because ...", and I'm telling you that I can't do that because the question is stated too simply. The complexities underlying transformer efficiencies and winding mean that without knowing the insides of the transformer, it is not possible to give an general answer to the question.
:wink:
or if you have 2 speakers in the box, each 8 ohms, and you can connect them in 4 or 16 ohms total resistance. what is going on on taps 4 ohms and what is going on on 16 ohms? what is efficiency=?
Well, first of all, speaker impedance is not resistance. The DC resistance of an average 8 ohms speaker is often near 6 ohms. The rest of the "impedance" is from moving the speaker suspension and the air load, plus resonance effects of the cone mass and suspension stiffness. The graph of speaker impedance versus frequency is not a flat line, and it usually only crosses the nominal "impedance" a few times in the graph. This also means that you have to use identical speakers to do the tests, of course. Here's a graph to illustrate:
Image

But yes, two "8 ohm" speakers that are identical and are each being fed the same power (volts*amps) will have twice the current and half the volts when paralleled as when hooked in series. So if the 4 ohm tap to common has half the resistance of the 16 ohm tap to common, the efficiencies in both hook ups will be the same, as the heating resistance losses will be the same in both.
Your question is the difference in efficiency. As I said earlier, the differences in transformer insides make this nearly impossible to answer generally. But let's look at a couple of cases. From the Hammond web site, the 1750U Marshall replacement, 100W.
Primary, 15.36R-0-15.36R
Secondary, 0, 0.10R(4 ohms), 0.10R(8ohms), 0.12R (16 ohms)
100W in 4 ohms is 20V, 5A; in 16 ohms, 40V, 2.5A. That means the peak current at 4 ohms is 5*1.414 = 7.2A, at 16 ohms 2.5 * 1.414 = 3.6A.
The loss in the 4 ohms section is 5*5*0.1 = 2.5W; in the 16 ohms, 2.5*2.5*(0.1+0.1+0.12) =6.25*0.32) = 2W.
At 100W, the losses in the primary; Ipk = 7.2/10.4 = 0.692. This happens alternately on each half of the primary, so we get the same power wasted by calculating a half-sine current in each half and adding the two. The RMS value of a half-sine of peak value 1 is 1/2. So the power in the primary (neglecting magnetizing current and core loss) is
(Ipk/2)*(ipk/s)*15.36*2 = Ipk/2 * 15.36 = 0.346*15.36 = 5.31W.
Then, putting 100W into 4 ohms, the losses in the windings are 5.31+2.5 =7.81W. Into 16 ohms, it's 5.31+2 = 7.31. The difference is 0.5W, out of 107 to 108W going into the primary. More, really, as sometime you have to consider magnetizing current and core losses. In this one case, the full 16 winding is 0.5W out of over 100w more efficient.
My experience is that (a) it's remarkably good that Hammond published this; good luck with other manufacturers getting the turns and resistance data (b) The difference in efficiency and even raw loss of power is very, very small, and that (c) even a tiny difference in the winding resistances and winding could easily make that come out different.
and then how much is parasite inductance Lp on 4 ohms tap, and how much is on 16 ohms? so simple question on one transformer. are the parameters the same?
Simple answer: No.
More accurate answer: it varies hugely depending on exactly how many sub-sections the 4 ohm and 16 ohm windings are sub-divided into, and where those are placed inside the core relative to one another. Leakage inductance goes down as the square of the number of interleaved sub-sections in general. The worst case for OTs is to wind a primary, then all the secondaries, or vice versa. Splitting the primary into two independent halves and sandwiching the secondaries between the two half-primaries cuts this but only in terms of leakage from half-primary to total secondary. There is leakage between the sections of the secondary. You could, for instance, make the secondaries from two lengths of wire wound side by side (i.e. bifilar winding) and get vanishing small secondary to secondary leakage, which is different from secondary to half-primary. But no non-hifi transformer will have that, as it costs more. Most guitar OTs have very few sections because it's cheaper. So no, it's not a simple question. Well, OK, it's a simple question that doesn't have a simple answer.
Which is the point.
easy to check all the answers and find conclusion.
Hmmm.
OK. I think YOU should check all the answers and find a >>single<< conclusion that I can't come up with a counter-example for. :D
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Re: When Using 4, 8, or 16 Ohm Taps....??

Post by xtian »

Wow...*stands in awe*... You have the power to make R.G. Keen write a technical article for you! :shock:
I build and repair tube amps. http://amps.monkeymatic.com
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Re: When Using 4, 8, or 16 Ohm Taps....??

Post by Smitty »

pdf64 wrote: Thu Aug 04, 2022 10:10 am My understanding is that humans are genetically programmed for pattern recognition, even to the point of thinking they perceive them where none exist. Also they apply a smattering of knowledge to complex subjects to try and make some sense of them.
Whichever, hence the heap of baseless hypothesising on this and countless other topics.
R.G. wrote: Thu Aug 04, 2022 4:32 pm Reading nearly anything at all is possible on the net, as everyone feels like an expert. Dunning-Kruger rules the net. Humans are pattern matchers - they automatically generate patterns to perceive.
Konrad Lorenz said 'The missing link between ape and man is us'.

BTW, I'm currently 'imprinting' on a JTM45 with cascading gain stages. Having built it myself, I suppose it could be an 'object of habitual trust'. Oops! There's Dunning-Kruger again!
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Re: When Using 4, 8, or 16 Ohm Taps....??

Post by Smitty »

bepone wrote: Fri Aug 05, 2022 6:27 pm or if you have 2 speakers in the box, each 8 ohms, and you can connect them in 4 or 16 ohms total resistance. what is going on on taps 4 ohms and what is going on on 16 ohms? what is efficiency=?
Inductances add in series and diminish in parallel.

I'm sure that R.G. has the math to understand if the 16 ohm tap into two 8 ohm speakers in series have a different resonance than the same two speakers connected in parallel to a 4 ohm tap. Does one configuration sound different on low E than the other?
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Re: When Using 4, 8, or 16 Ohm Taps....??

Post by bepone »

R.G. wrote: Fri Aug 05, 2022 10:11 pm The short answer is that the effects are too small to matter for the specialized case of guitar amplifier use.
A longer answer is as follows:
- For any given guitar amplifier OT, you have no idea what the windings are like inside it - how many turns of what gauge wire, and how hard that drives the magnetic field in the core.
how i canont know what is inside if i'm winding them by myself? :mrgreen: and you should know that there are a standard patterns to follow, interleaving Primary - Secondary in guitar transformers, so Fender does simplified (Cp smaller), Marshall does in another way (higher Cp) .. This measurement in picofarads + by looking in the tranformer winding from top you know what is the arrangement Primary-secondary.
all secondary is mostly wound in one line , without parraleling, so 4 ohms is on xx.turn, 8 ohms is on 1.41*xx turn, and 2x xx turns=16 ohms at full secondary. often is like that,

for one practical example (i took one from my list what i did) :
- 4-16 ohms have different frequency characteristic, square wave loading has different and worse resonants in 4 - 8 ohms than using all secondary at16.
- losses in copper are actually the highest on 4 ohm tap (17.8%) , then on 8 ohm tap are (14.66%) and on 16 ohm tap are (11.53 %)

so what is the conclusion? 8) simply it is not the same.
do we feel the difference=? maybe not, because we are hearing in log, and output on 50 watts will be different on 4 and 16 ohms loading and it is small diffrence in log scale. do we feel lack of highs on other taps? this deserves proper analising.
Last edited by bepone on Sun Aug 07, 2022 11:24 am, edited 2 times in total.
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Re: When Using 4, 8, or 16 Ohm Taps....??

Post by bepone »

Smitty wrote: Sun Aug 07, 2022 2:51 am
bepone wrote: Fri Aug 05, 2022 6:27 pm or if you have 2 speakers in the box, each 8 ohms, and you can connect them in 4 or 16 ohms total resistance. what is going on on taps 4 ohms and what is going on on 16 ohms? what is efficiency=?
Inductances add in series and diminish in parallel.

I'm sure that R.G. has the math..
i think this is the problem.. too much of the math=? :P
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Re: When Using 4, 8, or 16 Ohm Taps....??

Post by Phil_S »

bepone wrote: Sun Aug 07, 2022 11:04 am how i cannot know what is inside if i'm winding them by myself?
This is not what is being discussed. Very few individuals (almost no one) wind their own and so very few can answer the questions. Manufacturers are either out of business or won't tell you. Either way, access to the intellectual property is nearly impossible for commercially produced transformers. Let's try to stick to the matter at-hand, which is quite interesting for a certain audience.
Last edited by Phil_S on Sun Aug 07, 2022 4:20 pm, edited 1 time in total.
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Re: When Using 4, 8, or 16 Ohm Taps....??

Post by R.G. »

bepone wrote: Sun Aug 07, 2022 11:04 am how i canont know what is inside if i'm winding them by myself?
Hmmm. The original poster's question was very general: is it in general better to use one tap setting or another. My answer is: that's too general a question, as the insides of the transformer are wound in various ways. I spent a good deal of typing, blunting my fingers in an attempt to explain how different winding patterns can yield different specific answers.

If you wind them yourself, you CAN know what's inside a few transformers, and you CAN measure them and find out that one is different from another. It is possible to test some number of transformers, and get answers for those transformers. Does that then tell you the answer for all transformers? Describe for me how it can do that, please.
and you should know that there are a standard patterns to follow, interleaving Primary - Secondary in guitar transformers,
Yes, I know that. More accurately stated, I know that there are a limited number of ways to split windings into sub sections and interleave them, and I now how to calculate an estimate of the change of leakage inductances between sections for various patterns. And that the "standard patterns" are chosen as a balance of more interleaving for better high frequency response and fewer sections for lower cost manufacturing. And that there are many "standard patterns":
P-S or S-P
P-S-P or S-P-S
P-S-P-S-P or S-P-S-P-S
This just goes on. The interleaving patterns just get more complex, a tighter and tighter mix of secondary and primary layers. The things get more expensive as you increase the number of sections.

And then there is side-by-side sectioning.
so Fender does simplified (Cp smaller), Marshall does in another way (higher Cp) .. This measurement in picofarads + by looking in the tranformer winding from top you know what is the arrangement Primary-secondary. all secondary is mostly wound in one line , without parraleling, so 4 ohms is on xx.turn, 8 ohms is on 1.41*xx turn, and 2x xx turns=16 ohms at full secondary. often is like that,
One can decrease capacitances by sectioning - splitting windings along the length, not depth of the winding window. The description on page 13 of the article at this link:
https://www.rsp-italy.it/Electronics/Ar ... 201952.pdf
has a description of a highly interleaved and side-by-side sectioned output transformer that is - barely - possible to wind on a standard winding machine. More complicated will probably need pure hand winding. It doesn't have a purely secondary winding at all, but instead a number of secondary sections that the user connects in series/parallel to get a desired output impedance. Here's another variant, more modern and optimized a bit more:
https://ideas.home.xs4all.nl/amps/pages/chapt8.html
I tossed these links in just to illustrate how complex it can get. I can almost hear you thinking "But those are not guitar amplifier OTs!" You're right. They're far more demanding than simple guitar amp OTs today. They're hifi OTs. However, there is anecdotal evidence that hifi OTs work really, really well for guitar amps if you spend the money and time to use them.
I understand that the early Vox AC30s used standard Radio Spares brand hifi OTs.
The point is - yes, there are a few common arrangements. But since the answer varies, you can't make a general statement like "full 16 ohms winding is always better than 4 ohms". You can only make a list of "I've examined these transformers from these years and original suppliers, and for these cases I find..."
Saying it more generally than that seems to me to be an example of faulty generalization - making sweeping conclusions based on too-few cases and not knowing the underlying principles.

Oh, and all capacitance can be measured in picofarads. :wink:
for one practical example (i took one from my list what i did) :
- 4-16 ohms have different frequency characteristic, square wave loading has different and worse resonants in 4 - 8 ohms than using all secondary at16.
- losses in copper are actually the highest on 4 ohm tap (17.8%) , then on 8 ohm tap are (14.66%) and on 16 ohm tap are (11.53 %)
Yes, that is one example, all right.
so what is the conclusion? 8) simply it is not the same.
do we feel the difference=? maybe not, because we are hearing in log, and output on 50 watts will be different on 4 and 16 ohms loading and it is small diffrence in log scale. do we feel lack of highs on other taps? this deserves proper analising.
I may be interpreting that incorrectly, but it almost seems to be in violent agreement with me.
bepone wrote: Sun Aug 07, 2022 11:05 am i think this is the problem.. too much of the math=? :P
Hmmm.
Is there only one problem ("the problem")?

As to "too much of the math", this is a very common thing I run into - criticism that engineers are too bound up in math to see [something] must be true/false.
The implication is that more study and practice in technology makes a practitioner somehow worse at producing real-world results. I could go on for several pages on the logical fallacies in that attitude, but I'll spare the other readers that misery.

Instead, let's play a game. Could you please design an OT and lay out how and why you chose the core size, wire gauges, number of turns, insulation and so on for the transformer? With numbers. You can use math if you want to, but you don't have to.
"It's not what we don't know that gets us in trouble. It's what we know for sure that just ain't so"
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