Ceramic vs Silver Mica
Moderators: pompeiisneaks, Colossal
Ceramic vs Silver Mica
I was skeptical but it makes a huge difference.
With mica treble and bright caps the high frequencies are audible
but sound like they're arriving behind the initial attack.
Silver mica bright caps sounded real nice in my twx clone but maybe
the high plate loads and and tightened cathodes of HAD'S design
make the pre-amp slew faster than the phase shift introduced by
these caps.
Apparently I have to learn it all the hard way -now to find some
low cap coax...
			
			
									
									
						With mica treble and bright caps the high frequencies are audible
but sound like they're arriving behind the initial attack.
Silver mica bright caps sounded real nice in my twx clone but maybe
the high plate loads and and tightened cathodes of HAD'S design
make the pre-amp slew faster than the phase shift introduced by
these caps.
Apparently I have to learn it all the hard way -now to find some
low cap coax...
Re: Ceramic vs Silver Mica
Intersting way of describing it. I feel that I hear a "grain" to the ceramic caps that isn't present in the mica's.jurgen wrote:I was skeptical but it makes a huge difference.
With mica treble and bright caps the high frequencies are audible
but sound like they're arriving behind the initial attack.
Re: Ceramic vs Silver Mica
I think Jurgen was referring to the ceramic and said mica by mistake.
			
			
									
									
						Bob-I wrote:Intersting way of describing it. I feel that I hear a "grain" to the ceramic caps that isn't present in the mica's.jurgen wrote:I was skeptical but it makes a huge difference.
With mica treble and bright caps the high frequencies are audible
but sound like they're arriving behind the initial attack.
Re: Ceramic vs Silver Mica
exactly how I describe it....theres a certain granularity there, almost (in mathematical terms) like a discrete function versus a continuous one. The ceramic seems stepped, wheras the mica was smoother.Intersting way of describing it. I feel that I hear a "grain" to the ceramic caps that isn't present in the mica's.
I have had some real problems with certain brands of ceramics early on in the signal path (bright switch/trebel cap/v1B grid), as they were letting a lot of humm and squal get into the amp. Funny, but swapping those caps for mica made that amp dead quiet.
Then again the ceramics sounded better (crisper, clearer), I just could not stand that much noise.
it really is a journey, and you just cant farm out the battle wounds
						Re: Ceramic vs Silver Mica
To be clear:  I much prefered ceramics in the D'lite
			
			
									
									
						dogears wrote:I think Jurgen was referring to the ceramic and said mica by mistake.
Bob-I wrote:Intersting way of describing it. I feel that I hear a "grain" to the ceramic caps that isn't present in the mica's.jurgen wrote:I was skeptical but it makes a huge difference.
With mica treble and bright caps the high frequencies are audible
but sound like they're arriving behind the initial attack.
Re: Ceramic vs Silver Mica
I've had quite a few ceramics that have gone directly into the garbage, sometimes just from measuring. I just had a 39pF measure out at almost 60pF, garbage. The next one out of the bag measured 41pF and sounds great. You can't be afraid to trash a few $.05 components in the quest for tone.briane wrote:exactly how I describe it....theres a certain granularity there, almost (in mathematical terms) like a discrete function versus a continuous one. The ceramic seems stepped, wheras the mica was smoother.Intersting way of describing it. I feel that I hear a "grain" to the ceramic caps that isn't present in the mica's.
I have had some real problems with certain brands of ceramics early on in the signal path (bright switch/trebel cap/v1B grid), as they were letting a lot of humm and squal get into the amp. Funny, but swapping those caps for mica made that amp dead quiet.
Then again the ceramics sounded better (crisper, clearer), I just could not stand that much noise.
- skyboltone
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Re: Ceramic vs Silver Mica
I've got gobs of VD ceramics that all measure 10%-20% low. I called the manufacturer of the meeter and he explained how it's just not possible (the way cap meters work) for it to be the meter. I dunno. It's kinda aggrivating. I got Xicons that are all over the place.Bob-I wrote:I've had quite a few ceramics that have gone directly into the garbage, sometimes just from measuring. I just had a 39pF measure out at almost 60pF, garbage. The next one out of the bag measured 41pF and sounds great. You can't be afraid to trash a few $.05 components in the quest for tone.
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						Seek immediate medical attention if you suddenly go either deaf or blind.
If you put the Federal Government in charge of the Sahara Desert, in five years time there would be a shortage of sand.
Re: Ceramic vs Silver Mica
Man, how are you guys measuring such little caps?  I've got a Fluke, but it won't go that low!
FYI, I tried A/B'ing a pair of 200pf Polystyrene film caps in series against a 120pf value ceramic cap in the bright switch, and I preferred the ceramic. It also sounded like the polystyrene caps had *more* capacitance, that the knee was lower. Interesting...
			
			
									
									FYI, I tried A/B'ing a pair of 200pf Polystyrene film caps in series against a 120pf value ceramic cap in the bright switch, and I preferred the ceramic. It also sounded like the polystyrene caps had *more* capacitance, that the knee was lower. Interesting...
-g
						Re: Ceramic vs Silver Mica
I use a cheepy meter I got from ebay for about $50. It's so sensitive that if I put the test leads too close together I'll read 1-2pF more.greiswig wrote:Man, how are you guys measuring such little caps? I've got a Fluke, but it won't go that low!
FYI, I tried A/B'ing a pair of 200pf Polystyrene film caps in series against a 120pf value ceramic cap in the bright switch, and I preferred the ceramic. It also sounded like the polystyrene caps had *more* capacitance, that the knee was lower. Interesting...
Don't forget about the other factors on caps, like ESR, Effective Series Resistance. That can change the way the cap acts in the ckt. It's also a big factor with you use 2 caps in parallel to increase the value, the ESR lowers.
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				gregarious
 - Posts: 49
 - Joined: Mon May 08, 2006 11:21 am
 
Re: Ceramic vs Silver Mica
Bob does this mean you're an advocate of using caps in parallel to obtain the required value?Bob-I wrote:
Don't forget about the other factors on caps, like ESR, Effective Series Resistance. That can change the way the cap acts in the ckt. It's also a big factor with you use 2 caps in parallel to increase the value, the ESR lowers.
What about resisters - I have a quantity of 2 watt 120k CC's that measure 112k & 108 - the 112k which I combine with 1meg 1 watt carbon film to get 100k & 108k with 330k to get 82k - seems to work ok.
					Last edited by gregarious on Sat Jan 05, 2008 1:59 pm, edited 1 time in total.
									
			
									
						Re: Ceramic vs Silver Mica
I tried some micas in a D-style amp as well and have to agree that they don't fit right. That being said, I love them in Marshall style amps...
			
			
									
									
						Re: Ceramic vs Silver Mica
Interesting, but I don't know what ESR means at this point in the signal. I'm going to guess, based on the terminology:Bob-I wrote:Don't forget about the other factors on caps, like ESR, Effective Series Resistance. That can change the way the cap acts in the ckt. It's also a big factor with you use 2 caps in parallel to increase the value, the ESR lowers.
If you increase the ESR, the acoustic effect will be similar to adding a resistor in series with the cap value. Is that right?
-g
						Re: Ceramic vs Silver Mica
I wish I knew. All I know is that parallel caps don't sound the same as a single cap of the same measured value.greiswig wrote:Interesting, but I don't know what ESR means at this point in the signal. I'm going to guess, based on the terminology:Bob-I wrote:Don't forget about the other factors on caps, like ESR, Effective Series Resistance. That can change the way the cap acts in the ckt. It's also a big factor with you use 2 caps in parallel to increase the value, the ESR lowers.
If you increase the ESR, the acoustic effect will be similar to adding a resistor in series with the cap value. Is that right?
Re: Ceramic vs Silver Mica
Well, I guess I'd expect that, too, based on the same theory: parallel caps (or the same value cap with a lower ESR) should effectively sound like a larger value cap. Hmmm....Bob-I wrote:I wish I knew. All I know is that parallel caps don't sound the same as a single cap of the same measured value.greiswig wrote:Interesting, but I don't know what ESR means at this point in the signal. I'm going to guess, based on the terminology:Bob-I wrote:Don't forget about the other factors on caps, like ESR, Effective Series Resistance. That can change the way the cap acts in the ckt. It's also a big factor with you use 2 caps in parallel to increase the value, the ESR lowers.
If you increase the ESR, the acoustic effect will be similar to adding a resistor in series with the cap value. Is that right?
-g
						Re: Ceramic vs Silver Mica
Absolutely! I take this into account when doing a build (in some meager way).I wish I knew. All I know is that parallel caps don't sound the same as a single cap of the same measured value. Embarassed
I have some theories about this, as its an additive waveform (sine if you like) rather than the full waveform. As an additive waveform rather than an essential one, it behaves differently....without getting into to much red tape hypothesis's here.
Try putting a 100 pf cap across the cr, one with a 25 uf cap or so standard. The change tonally is amazing, but the capacitance has changed by only a meager portion of a percent. This proves the additive theory of not being the same as the essential, as in theory you should not be able to hear the difference, but I am still learning about this.
it really is a journey, and you just cant farm out the battle wounds