Thanks Tony and all for the answers. I will have time to further study the amp on my week off after one week. I have one extra old EL84 that I can try. Will do the math also.
The amp is Crate Vintage Club 30 which is a PCB amp with all tube sockets, pots and jacks soldered to the PCB. Did replace few pots and two jacks already. I also will do the cab job although the electrolytes seem to be OK. Will also have to make a box for it being just the chassis I bought. The PT seems to be little rusty but tube sockets and other parts are in good condition.
The reverb is quite subtle but it might be the original design. I dont have the original pan so it might be that also.
Links to the schems:
http://www.blueguitar.org/new/schem/mis ... 112pre.gif
http://www.blueguitar.org/new/schem/mis ... 112pow.gif
I must say the amp is really joy to play as seem to be the case with quite a few other players also. The reliability is another story..
Here is what the designer of the amp has to say about the Vintage Club series:
Hey guys,
No doubt the Original VC amps (blonde and black) had their limitations... but understand the price point Crate was trying to hit on the thing. It was to be $599 retail in 1996. A lot of compromises needed to be made. The jacks at the time would oxidize from non use and cause switch contact issues, pc boards were cheap single sided affairs, many parts were sourced from Asia, I was put on the project to get the Belton reverb pans to sound good in our circuits, worked with Dr Park extensively on his pans, trying to get high end respnse in them and get the decay time down to a medium level, the IC drive and recovery circuit...well, its a cost thing...plus that method of incorporating reverb into an amp is unique in that it does not alter the basic signal path architecture, so a compromise for the reverb to improve the basic sound. additional stages in the signal path would have changed it entirely. The wave solder 9 pin socket was another joint development with Belton and look at how many are being used in Mesa's and other hi-end amps today....you guys are lucky to have the Chicago made OT in there....94-268-01, that is a great sounding transformer...Don Sokolis at Electrical Windings cloned a tweed tremolux tranny for me....The power ratings, well, that's the marketing guys for ya, but all in all, after all these years, you can still find them for dirt cheap and the issues can be easily solved. The only difference between the cream and black ones was a MF resistor in the screens instead of a wirewound. Maybe some component sourcing changes as purchasing would always be scouring the earth for a cheaper part...sometimes R&D would get a chance to comment, other times it just happened.
But when you plug into that clean channel of an old VC3112 and it sings,bounces and glasses like an old Deluxe reverb...hard to justify NOT buying it for $250. The dirty channel was subject to many mods, even back then. One guy wants AC/DC, another wants Robben Ford...fiddle until it sounds right.
That amp came about because "they" asked me why I didn't play a Crate, and I told them you don't make one that sounds right...so the challenge was put to me to design a Crate that I would play through....and I did.
Lots of good times and experience with that group of guys, too bad it all got flushed down the toilet by Loud.
I had nothing to do w/ the V18, etc....other than be forced to give up the schematics and work with the Chinese engineers that didn't even play guitar or understand the music and sound. Sorry if they turned out sounding like crap, hey, at least they are China cheap.
__________________
Obeid Khan-Design Engineer Reason Amps
www.reasonamps.com
Amps I have designed - Crate Vintage Club, Vseries, Palomino, Ampeg Jet, Reverbrocket, SuperJet, B15R, Ampeg J20 (ptp) SVTDI, SVTMP