Weber Mass 200 versus 1950s Tweed Amps * OK or BAD to use???

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Toppscore
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Re: Weber Mass 200 versus 1950s Tweed Amps * OK or BAD to use???

Post by Toppscore »

rp wrote:Stop worrying play the shit out of it, one day the new caps will be old caps :) Just don't mess with the old coupling caps unless necessary.
Now that your amp has the cajones to blow up your old speakers, it will. Be careful. Maybe best invest in some new 4x10s for those wild nights? Or best have an ext 4x10 to switch too?
I've seen several shows in small clubs where the lead's amp went pfft in the middle of a hot solo, can't say for sure but when I looked there's always an attenuator on top. One show guy was sounding killer through an attenuated Blues Breaker reissue after it died he switched to a Blues Jr. Less oomph but sounded just as good - go figure.
Speakers are made to go, IMHO.
Some are paper thin after 50-60 years.
Ever driven a 1960 Corvette with 50 year old tires?
Or 50 year old oil? Or 50 year old spark-plugs?

Apparently, as long as the load is right,
the Weber Mass 200 should not mess up an amp.
And besides, playing amps at home is cool, if not too loud 8)
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vibratoking
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Re: Weber Mass 200 versus 1950s Tweed Amps * OK or BAD to use???

Post by vibratoking »

Never played a Fender amp that didn't sound better loud. I like it loud. It might get loud? No, it will get loud.
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rdjones
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Re: Weber Mass 200 versus 1950s Tweed Amps * OK or BAD to use???

Post by rdjones »

Toppscore wrote:Apparently, as long as the load is right,
the Weber Mass 200 should not mess up an amp.
And besides, playing amps at home is cool, if not too loud 8)
You underestimate the ability of a dummy load/attenuator to fry an amp.

I don't think it makes any difference whether it's a Scholtz Power Soak, A Weber, a Hot Plate, or a 250W Dale 8Ohm 1%.
In any case you're playing the amp way "louder" than you think you are and it will take some abuse.

If you want to blast an amp at low volume, get a Champ or MusicMaster Bass.

rd
Toppscore
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Re: Weber Mass 200 versus 1950s Tweed Amps * OK or BAD to use???

Post by Toppscore »

rdjones wrote:
Toppscore wrote:Apparently, as long as the load is right,
the Weber Mass 200 should not mess up an amp.
And besides, playing amps at home is cool, if not too loud 8)
You underestimate the ability of a dummy load/attenuator to fry an amp.

I don't think it makes any difference whether it's a Scholtz Power Soak, A Weber, a Hot Plate, or a 250W Dale 8Ohm 1%.
In any case you're playing the amp way "louder" than you think you are and it will take some abuse.

If you want to blast an amp at low volume, get a Champ or MusicMaster Bass. rd



+1 on the smaller amps. Especially with the headphone feature.
There is a player at practice that uses the Champ XD.
These small Fender amps can wake-up a neighborhood :shock:
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Toppscore
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Re: Weber Mass 200 versus 1950s Tweed Amps * OK or BAD to use???

Post by Toppscore »

rdjones wrote:
Toppscore wrote:Apparently, as long as the load is right,
the Weber Mass 200 should not mess up an amp.
And besides, playing amps at home is cool, if not too loud 8)
You underestimate the ability of a dummy load/attenuator to fry an amp.

I don't think it makes any difference whether it's a Scholtz Power Soak, A Weber, a Hot Plate, or a 250W Dale 8Ohm 1%.
In any case you're playing the amp way "louder" than you think you are and it will take some abuse.
If you want to blast an amp at low volume, get a Champ or MusicMaster Bass. rd

RD. Does a master volume amp have similar issues with the
channel volumes on high and the master volume lower?
Are not some electronic components getting pushed hard
within the channels with their volume cranked?
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rdjones
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Re: Weber Mass 200 versus 1950s Tweed Amps * OK or BAD to use???

Post by rdjones »

Toppscore wrote:RD. Does a master volume amp have similar issues with the
channel volumes on high and the master volume lower?
Are not some electronic components getting pushed hard
within the channels with their volume cranked?
I've never made any repairs to an amp that I suspected was caused by a master.

There may have been some discussion a while ago about whether a cross line "PPIMV" master volume is hard on the inverter tube.
I tend to think not, but in any case a 12AT7 is a whole lot cheaper than an output transformer.

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Reeltarded
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Re: Weber Mass 200 versus 1950s Tweed Amps * OK or BAD to use???

Post by Reeltarded »

If you run an amp wide open it's the same with a proper load or with a speaker.
Signatures have a 255 character limit that I could abuse, but I am not Cecil B. DeMille.
Toppscore
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Re: Weber Mass 200 versus 1950s Tweed Amps * OK or BAD to use???

Post by Toppscore »

Reeltarded wrote:If you run an amp wide open it's the same with a proper load or with a speaker.

That's what Weber says.
If you use the Weber Mass 200, apparently there is automatic
power readings to take loads from any amp.

Usually human error will cause a problem between amps and good attenuators.
That's what Weber says.
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vibratoking
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Re: Weber Mass 200 versus 1950s Tweed Amps * OK or BAD to use???

Post by vibratoking »

Using an attenuator is like putting a governor on a Winston Cup car...oh that's what restrictor plate racing is? It's still stupid IMO. I have to admit that I have tried attenuators and VVR. None are as good as just turning up and playing loud. If I HAVE to attenuate, then I use VVR or I don't book the gig. I have arranged it so that I can play as loud as I want at home.
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Re: Weber Mass 200 versus 1950s Tweed Amps * OK or BAD to use???

Post by Toppscore »

vibratoking wrote:Using an attenuator is like putting a governor on a Winston Cup car...oh that's what restrictor plate racing is? It's still stupid IMO. I have to admit that I have tried attenuators and VVR. None are as good as just turning up and playing loud. If I HAVE to attenuate, then I use VVR or I don't book the gig. I have arranged it so that I can play as loud as I want at home.
Hey, Vibro. I agree to a point.
If I had a barn in Kansas, I'd blast sleeping cows to the ground,
shake grain off wheat stalks and keep locust dormant for another decade.

I bought the Weber Mass 200, which, by the way you should read the specs, as it's
different and adjustable and flexible etc etc than any other attenuating type of device.
You might like it!!!

BUT, MY GOAL is to to play my vintage amps at home.
And loud is not gonna sit well for a number of human ears within
a quarter of a mile, or 400 meters if you are across the pond :lol:

I did my homework and felt the Weber Mass 200 is the best on the market.

Check it out. You might be interested in the
https://taweber.powweb.com/weber/mass200.htm
"200 watt MASS with a moving voice coil speaker motor for the load.
This unit is impedanced swamped to protect the output of your tube amp,
and may be used with 4, 8 & 16-ohm amps. Includes adjustable Line Out,
System Bypass, and Variable Treble Compensation.
Volume level is continuously variable to over 50db of attenuation"

I have used it, but as the OP of this thread, I feel that I've learned
from other TAG members sharing that if an attenuator can produce
a matching load as the intended speaker cabinet, then what's the difference?
PLMK. Thanks.

Also, check out the voice coil speaker motor
and the treble compensation features on the Weber Mass 200w.

Not sure if anyone respected Ted Weber, but following are his words
that convinced me to purchase the Weber Mass 200 over any and all
of Weber's line-up of attenuating devices as well as over any of the competitor's
priced under $600 when compared the Mass 200 towards:

Ted Weber: "Here are some facts to consider when using an attenuator. Attenuators do work. They are not the cause of transformer failures. An attenuator can only simulate two out of the four components that are involved when you crank up an amp. The four components are #1 preamp tube distortion, #2 power tube distortion, #3 speaker distortion and #4 the physical movement of air that your speakers produce at high volumes. So the two components missing are speaker distortion and the physical movement of air and these are huge components! So if you’re playing at moderate volumes and just want to tame the amp down to get a bit of power tube breakup then an attenuator is a great tool, but do not expect to be able to dime your amp and then use any attenuator on the market to get the exact same sound from your amp at whisper quiet volumes. You can't get there from here. You would be better off with a one watt amp."

"Catastrophic power tube failure will cause transformer and screen grid resistor failures. The reason you will read and hear horror stories from unknowledgeable attenuator users is because they do not understand how attenuators work and the stress they put on your tubes. If in fact, a player chooses to run his amp cranked all the way on and attenuate the volume down to a whisper, then in most cases power tubes will only go a few months. Power tubes will die in one of two ways. The first and most pleasant is by simply fading and dying. The second and more popular way is to go out in a blaze of glory which is what I referred to above as a catastrophic failure which can and most often will, take out screen grid resistors."


What do you think? Anybody?
Toppscore 8)



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vibratoking
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Re: Weber Mass 200 versus 1950s Tweed Amps * OK or BAD to use???

Post by vibratoking »

I tried the Mass 200. There are actually ALOT of threads about attenuators here under the Trainwreck section. Do a search. You'll be able to find any opinion that you want. :P Well maybe not the one you want about the Mass 200. Weber's info is very slanted toward their product. Surprise, surprise. They believe in their product, but I haven't heard anyone speak as highly about it as they do, at least here at TAG. Tell us how you like it...or better yet, let us hear for ourselves.
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Re: Weber Mass 200 versus 1950s Tweed Amps * OK or BAD to use???

Post by LeftyStrat »

I used a Tom Sholtz Power Soak for many years, but in my application it was never for bedroom levels, or running the amp (Ampeg VT-22) full out. There was a spot around 6 on the amp that would allow me to go from clean to distorted with just changing pick attack, which was the style I was using at the time.

Some places I could bypass the soak, others were only a click or two down. Of course loud was more acceptable in my ancient club days. You could blow paper down the isle as long as you didn't make people puke from the decibel level.
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Re: Weber Mass 200 versus 1950s Tweed Amps * OK or BAD to use???

Post by Toppscore »

You guys are the pros compared to me.
But, I belive the big thing is not dime/ing the amp.
I'd play at normal levels and attenuate from there.

I agree that with or without an attenuator,
pushing any amp all the way cranked out for long periods of time
will cause multiple problems over time.

If you gotta crank it, maybe get a bigger amp if the original amp
is vintage. Maybe not. I just rather not go through issues.
Medium loud volumes and some attenuation will be OK, I suspect
as I do know on some amps.

I'll be working out three amps: 1954 4x10 Bassman,
1968 Showman Reverb and a 1968 Bandmaster Reverb.
Will let you guys know. Previously, I've used the Weber Mass 200 on
my 1964 Twin Reverb, 1964 Super Reverb and two 1983 Paul Rivera Era
Concert II and Twin Reverb II amps. All seemed fine.
This thread is sort of double checking.
I will search for Weber Mass 200 comments.
Thanks for the posts. Toppscore 8)
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212Mavguy
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Re: Weber Mass 200 versus 1950s Tweed Amps * OK or BAD to use???

Post by 212Mavguy »

Don't know how many of the guys posting on this thread have a Weber Mass, I do, hunnerd watter. I love it. Yep, diming the amp and attenuating to a whisper is a rookie move that hurts stuff if allowed to go on for a while.

Sounds like you like things at a lower side of the vol pot anyway, just do it but use some common sense, don't stomp on the chicken with both feet and then choke it to where it can't squawk. You'll kill it.

I was given an old computer fan/power conditioner, I point it at the guts of my amp while it is running, during playing the sound is inaudible. Biiiiig difference especially in tilt back mode. Hot air can't be trapped under the chassis anymore.

At my house (in a Mormon neighborhood) A distorion pedal also sounds great in front of my '68 SR. If I need wonderful, tube only distorted tone at late night in the neighborhood house levels plus some really sweet cleans I have 3 Dumble clones...so my SR never sees an attenuator, also the speaker cable on it is cut just long enough to make it to the speaker, and I'm not replacing it. ;~) My Neighbors are nice enough to never complain when i crank one of my amp up, though. I'm lucky.

It does make more sense to build a new amp from new, appropriate parts to the old circuit with good iron and attenuate and beat the snot out of that than to push a sweet geezer amp to failure. They weren't built for attenuators back then.
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Re: Weber Mass 200 versus 1950s Tweed Amps * OK or BAD to use???

Post by Toppscore »

212Mavguy wrote:Don't know how many of the guys posting on this thread have a Weber Mass, I do, hunnerd watter. I love it. Yep, diming the amp and attenuating to a whisper is a rookie move that hurts stuff if allowed to go on for a while. Sounds like you like things at a lower side of the vol pot anyway, just do it but use some common sense, don't stomp on the chicken with both feet and then choke it to where it can't squawk. You'll kill it. I was given an old computer fan/power conditioner, I point it at the guts of my amp while it is running, during playing the sound is inaudible. Biiiiig difference especially in tilt back mode. Hot air can't be trapped under the chassis anymore. At my house (in a Mormon neighborhood) A distorion pedal also sounds great in front of my '68 SR. If I need wonderful, tube only distorted tone at late night in the neighborhood house levels plus some really sweet cleans I have 3 Dumble clones...so my SR never sees an attenuator, also the speaker cable on it is cut just long enough to make it to the speaker, and I'm not replacing it. ;~) My Neighbors are nice enough to never complain when i crank one of my amp up, though. I'm lucky. It does make more sense to build a new amp from new, appropriate parts to the old circuit with good iron and attenuate and beat the snot out of that than to push a sweet geezer amp to failure. They weren't built for attenuators back then.

Hi, Mavguy. I play my amps with the Mass200W ALL THE TIME. No problems.
Usually I will take each amp to the desired natural loudness I want, which usually
is too loud for my neighborhood, but not yet achieving the breakup tones I look for.

Then at that point, I've the Webber Mass 200 attenuate the volume output
downward
to much lower volumes while cranking the amp to crazier desired levels.

Two things:
One, I never dime the amps and turn the Webber to zero noise output towards
the speaker. For me, 75% attenuated is typically good. I have played at clubs/church
and use the Weber Mass 200 attenuator the entire evening. Simply get the
sounds I want at the volume the room needs.

I believe some Weber attenuators have built-in "speaker motors" to apply "reactive"
resistance toward any amp output. Others use variable resistor loads.
Which means I can use any of my 35w-150w amps without making an
adjustment regarding the loads or ohms matching on the Weber Mass 200.

The goal is to work your tubes hard, towards a loud 6-7-8-9 on the volume dial
and let the Mass 200W keep the volume sounds tones 1/3rd to 2/3rds down.
Never dime the amp and issue a 100% zero-out the Weber load. Not made for that.


Two: I had Weber add the headphone port on my Mass 200W.
From Weber: "The High Power Load Dump model with 200 watt power uses power
resistors & capacitors. This model uses 11 steps of output control on a rotary switch.
The Headphone Tap unit is referred to as a 50 watt dummy load which consists
of a headphone output jack" (and a headphone volume potentiometer, I might add).
The headphone jack allows for the silent playing of your favorite vintage amps.
Better to use the Weber installed headphone jack than a third party HPJ.
The Weber will manage the amp's output loads from one source.

Hope this helps. Toppscore
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