xtian wrote:I'm going to define distortion as what happens to your clean signal when its amplitude exceeds the amount of available headroom in your amp. The shape of the sine wave changes (becomes distorted), introducing harmonics and all kinds of (hopefully pleasing) sonic mayhem. "To overdrive", as a verb, means to feed a hotter (clean) signal into your amp, causing more or earlier distortion. But "Overdrive" pedals typically create their own distorted signal, before it even gets to your amp. There's nothing inherently "digital" in these processes, but of course digital gear emulates these processes programatically.
Would the "overdrive" floor pedal signal that is "distorted even
before it reaches the amp" actually be distortion, anyway?
Since the distortion floor pedal changes the inbound guitar signal
to become a distorted signal outboud to the amplifier,
how is that different than what the overdrive pedal creates?
Or, what's the difference between distortion pedals and overdrive pedals?
I'm sure ten manufacturers of distortion pedals will do the same thing,
but all ten may "sound" different. Same with ten different overdrive pedals.
I'm not after an answer as to whatever sounds good . . . . but simply wondering if overdrive pedals
and distortion pedals are really the same pedal with differert tones or sounds and a different name?
What do you think?
Also, most of my Fender amps' speakers will break-up at higher volumes,
are overdrive pedals and distortion pedals simply trying to emulate speakers
within the amps high-volume speaker "break-up" stage?
Definitely will A-B my pedal effects when those arrive, but just wondering differences.
Thanks again.