Love ribbon mics on guitar. Scott, I know that is a pricey mic - have you ever used a lesser ribbon? And how do you think they compare? I love my CAD Trion but, am considering jumping for a Royer when economics permits. Way worth it?
Thanks for the link!
P.S. Do you see that Royer as dead center or just left then twisted slightly of axis - parallel to cone?
Based on the Grant Street recordings, it gets muddy in a few spots but don't know if Sonny's on the Matchless or Dumble or both. Am not completely sold on the ribbon just yet or believe $$$ = best performance. To each his own, but I have excellent results using a combination of condenser and dymamic. ymmv.
Did you listen to the clips? There are samples of each mic and amp and then blended!
BobW wrote:Scott, thanks for the link.
Based on the Grant Street recordings, it gets muddy in a few spots but don't know if Sonny's on the Matchless or Dumble or both. Am not completely sold on the ribbon just yet or believe $$$ = best performance. To each his own, but I have excellent results using a combination of condenser and dymamic. ymmv.
I have a Royer, but one can get a great guitar sound out of just about any mic. Moving a mic 1/2" gets a whole new sound. Use your ears, not what someone tells you to do.
Great! Now I've got to build a freakin' DC30.
Seriously though, great example of how mic's and placement have everything to do with great recorded tone. (Neve preamps don't hurt either)
Thanks Scott!
<i> "I've suffered for my music. Now it's your turn."</i>
I use a Millenia preamp, or a Martech pre, and an 1176 if it's a clean sound, or generally no limiter if it's a distortion sound. No eq. Just move the mic until u find the sweet spot that works for your mix. Every situation's different. The Millenia has ribbon inputs which are dead quiet. Be careful w/a Royer as it will overload if the amp's too loud. It will take a lot though.