But explain a bit to me what '6' means vs. '3' vs.'10' please? Are these 'o'clock' numbers? And basically these are all subjective measurements, too?
Great pic, too! Man, this has never been done before, RJ, thank you for your time and trouble!!!
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Good questions... I used a relative scale of 0 thru 10 but saved the extremes for reporting severe deviations. It's important to know that 10 is not necessarily better sounding than a lesser number but just that it represents a greater quantity of that article... for example: using the amp with the treble all the way up with a MM tranny might be too much of a good thing.rooster wrote:Ha, brave man posting those numbers!![]()
But explain a bit to me what '6' means vs. '3' vs.'10' please? Are these 'o'clock' numbers? And basically these are all subjective measurements, too?
Great pic, too! Man, this has never been done before, RJ, thank you for your time and trouble!!!
Yes, it's fair to say I wasn't impressed with the original Stancor rewind, but it wasn't a total disaster. The Pacific's sound similar but have a little more of everything and slightly more headroom. The first of the Triad S-60's sounded pretty similar to the original Stancor and I felt like I was starting to get some clustering of characteristics between them and the Pacific's. But if you look at that last Triad S-60 (same as Stancor A-3801) it was very different. It was very much like the Mercury Mag reproduction with the only weak spot being that it didn't have a lot of bottom end. I suspect this transformer when used with the right speaker cabinet would sound awesome. So ultimately I am still amazed that everyone of them sounds so unique. That does lend credibility to all the stories we've heard about KF having a big stack of transformers that he went through and characterized.geetarpicker wrote:Specifically what are the rebuild details of the "rebuilt Stancor A-3801"?
Quite odd that out of all the transformers in your evaluation sheet you rank the original Stancor the absolute lowest of the bunch, though this is the transformer that is being recreated.
I'm just going to assume that any noted improvements over the original are still up to interpretation, and that the baseline of an original is perhaps still a moving target due to variation.
Fair enough, I can do that. The rewind is a cool transformer and I am curious if that early breakup would show up when it is used in another circuit? I have a black A-3801 that I can try as well.geetarpicker wrote:Ok, so your "Stancor A-3801" is actually a MM rewind of an original. I think that detail should definitely be mentioned in your comparison chart.
To the best I can sort it out, several companies were using the same transformers - Triad, Stancor, Merit, and others as well. I have two of the Triads and they do not use the exact same end bells as each other so maybe we can assume those two weren't made at the same time - I dunno? Either of them would swap end bells directly with the Stancor and the guts look identical. If you pull the covers off and look at them they are all the same including the HiFi taps.geetarpicker wrote:...Just trying to clarify do you indeed have a true functioning, original wind grey Stancor A-3801 in your assortment of transformers?
Or is the Triad definitely known to be exactly that, basically from the same last production period when Stancor went to grey end bells and plastic covered wiring?
Thanks Glen for the breakdown on your tones. I think the clean tones on "New Mexico" represents the ultimate clean sound you can get from a Wreck. https://www.youtube.com/watch?v=-U36UxwiHaI This is why I was so pleased with the clarity of the MM tranny. I can get good clean tones with all of the other trannies I tested but the window is pretty small on some of them.geetarpicker wrote:...My '85 definitely has a little more clarity on top, and more lows. Overall it seems cleaner and not as loud. I can't say it breakups any earlier, it just seems a little more flat in response and the low end definitely goes down further. It's greater clarity makes the bright switch not as essential even with a humbucker. The '89 is a bit more mid focused and seems gainier, it also seems louder overall. It is not quite as clear sounding but takes well to being played with the bright switch on and then the clarity is quite nice.
RJ,RJ Guitars wrote: .....One other factor to look at when you review my test results is that when you subtract out the cosmetic factor, MM and and Edcor drop more than the others.
Sorry Paul, I didn't see this because I had mysteriously lost my email prompt when a new post went up on this thread.Paultergeist wrote:RJ,RJ Guitars wrote: .....One other factor to look at when you review my test results is that when you subtract out the cosmetic factor, MM and and Edcor drop more than the others.
Can you explain this comment a bit more? *What* is being "dropped" by the MM and Edcor trannies?
Paul