First impression is....thank gawwwd we have recording engineers!! The "in room" tone/feel for the clipped segments was a very convincing, agressive rock sound. I can't say that the recordings are at all the same!
The sound clips all repeat the same riff at the beginning. The clipper circuit is switched in and out on a regular basis so you can get a feeling for the volume drop imposed by the various clipper arrangements (squish control set for maximum attenuation).
For the later bits, I dialed up the aforementioned "convincing" sound and noodled around with what felt right for the moment. Squish control backed off to varying degrees (less attenuation) and volumes tweaked to what felt good.
The overall room volume was nearing window pane rattling levels so the amp was definitely breathing-deeply for all clips (save the significant volume drop from some of the clipper circuits).
Surprisingly, the clean tone recorded, relatively, quite well!
Other particulars:
Guitar: 74 LP Custom with Seymour Duncan Pearly Gates PUs
Cab: Closed back Lopoline single 12"
Speaker: Well broken in Scumback M75
Mic Placement: Straight on ~1/2 way between the center voice coil and outer edge about 5" away.
Mixdown: Totally dry via Audacity (cool little program BTW!)
Not sure if I should consider this excercise a success or not. But one thing is for certain....I sure am glad that I have a day job!
Cheers,
Dave O.