MGW wrote:John said that the reason for the goop was two fold. One, it hid values. Second it affected the frequency response of the circuit. Whether it does or not I don't know. The pre didn't work before I degooped. Sounded pretty good after though.
"Sure Mr. Kasha," the goop affected the frequency response to the point there was no signal... what about that? Maybe he was using conductive goop.

How does THAT help sell the product?
Luthier Dominic Ramos told me the story of when he was the apprentice in Dan Armstrong's NY shop, late 60's. Dan had just perfected the first pickup for his plexiglas guitar then potted it in brown goop. Then it didn't work. Dan and a friend took off for lunch and to try and brainstorm the pickup problem. While they were gone, Dom stuck a magnet in the liquid goop & pulled up a big wad of it. The brown pigment was magnetic iron oxide - and that's what stopped the pickup from working. Dom showed Dan after lunch & the next potting effort was successful, with a different compound.
SO - choice of goop CAN make a difference. Especially if there's a lot of it. A little dab here & there to show a connection has been inspected, not so much. And careful covering up those component values - if you chose a conductive goop, a dab too much might short out the component.
Next, the difference between goop and glop. Stay tuned

down technical blind alleys . . .