Cheers in advance

Moderators: pompeiisneaks, Colossal

Do you have a link to the guideeazilyled wrote:The safest strategy would be to try to replicate the wiring of Francesca as closely as possible. There are detailed gutshots in the Files section. Also follow Ron Worley's step by step build guide. I did this and my amp turned out fine.
I am a beginner, and my english is not so good so do I understood this right:I've found it helpful to think of the lead dress in terms of what is negative feedback and what is positive feedback. The plate is out of phase with the cathode and grid so if you run those parallel, you're stabilizing the amp. Avoid positive feedback by crossing at 90 degree angles, etc.
Sorry, that was an iPhone post. If you want to stabilize the amp, then negative feedback will help, and positive feedback will make things worse. The McIntosh MC75 utilizes positive feedback to increase drive to the power tubes, so I guess it's not always bad!Ukko75 wrote:Hi!I am a beginner, and my english is not so good so do I understood this right:I've found it helpful to think of the lead dress in terms of what is negative feedback and what is positive feedback. The plate is out of phase with the cathode and grid so if you run those parallel, you're stabilizing the amp. Avoid positive feedback by crossing at 90 degree angles, etc.
Positive feedback is bad thing?
Negative feedback is good thing?
When cathode and grid wire runs together it generates negative feedback wich is good thing?
Cathode or grid wire should always stay as far as bossible or 90 degree angle to plate wire?
This sounds like an excellent idea. How does one learn about using a scope to find the noise. I have a scope but I must admit that I don't really know how to use it, much less how best to use it.Jackie Treehorn wrote: You also need to have a methodology for determining which part of the amp is unstable. Scope helps!