That's the voice of wisdom yelling at you.
 It is HARD to repair these things because of all the side effects of anything you do to them, including just looking at the bottom of the PCB. AACK!
  It is HARD to repair these things because of all the side effects of anything you do to them, including just looking at the bottom of the PCB. AACK!Tanks always have to have a ground reference for both input and output >>coils<<, otherwise, current won't flow, springs don't move, and no signal comes out the output. So both input and output coils have to connect to signal ground somewhere. This can be each coil connects to the shell of its RCA jack, or both coils connect to the shell of either the input RCA jack or the output RCA jack, leaving the opposite RCA jack shell not connected. Tanks have models with all the possible connections.
Well, to be clear: the new Mod tank with the 600 ohm input impedance and input insulated did not work. My buddy's spare Mod tank with a 150 ohm input impedance and a grounded input DID work.Still trying to understand that because as Stevem says, a "4F" tank (1475 input) should work...? So why would a 150 ohm tank work and not a 600 ohm tank work if a 1475 ohm tank works? Do you think the tank's input needs to be grounded (despite the schem indicating insulated tank input)? Maybe that's why the 600 ohm tank doesn't work?

It's also possible to not wire the shield on either the input cable or output cable. Thomas Organ did this, not wiring the ground/shield on the drive/send side. The considerations of which cable(s) to leave ground/shield open on get into some subtleties. Thomas not running the signal ground along the send cable to the reverb tank input jack means that to get current to flow into the input/driven coil in the tank, the input coil >>must<< have its nominally grounded side connected to the shell of the return RCA jack or nothing will happen. This is along the lines of Martin's comment. If your tank does not have an internal connection between the ground side of the coils to the shell of the return RCA jack, no signal gets into the input/driven coil and therefore no signal comes out.
This sounds complicated, but in fact a few minutes with an ohmmeter to read resistance between the center and shell connections inside the tank itself will tell the entire story. You might flip the non-working tanks upside down and just measure the coil resistances, the resistance between the two RCA jack signal pins, and the resistance between the two RCA jack shell solder tabs. If there's no continuity between the two RCA jack shell connections, the Thomas single-wire send to the input coil will leave the coil open circuited, and nothing will happen. But if the resistance of either coil from RCA center pin to shell is open circuit, it's an open coil.
I don't think so. Q202 would be the most vulnerable. But it's unlikely to hurt it.Another question: will I be damaging the reverb send circuit (specifically Q201 and Q202 transistors) using a lower input impedance tank like this 150 ohm one? As a reminder, this is an early Buckingham (V112).
It's not normal so much as there is a minimum level of hum possible given Thomas Organ's design of the grounding. Just so I'm clear - is this with the friend's reverb tank installed? Or do you also get it with the non-functional tank you bought installed? Or with no tank attached at all?I also noticed a hum when switching the brilliant or the normal channels to reverb. I presume this is normal? Could this hum be improved somehow? Maybe new transistors for Q201 and Q202?


 FWIW between the two, I think I prefer ever so slightly the 150 ohm tank. Hard to describe but to me the 150 ohm tank sounds ever so slightly less washy/clangy/"trashy".
 FWIW between the two, I think I prefer ever so slightly the 150 ohm tank. Hard to describe but to me the 150 ohm tank sounds ever so slightly less washy/clangy/"trashy". In a further fit of craziness, I decided to also include some trem along with it, to hear how wacky it would/could sound. Initially both sounds co-existed in a cachophony of sound and it was interesting but not very versatile/useful sonically, IMO.
  In a further fit of craziness, I decided to also include some trem along with it, to hear how wacky it would/could sound. Initially both sounds co-existed in a cachophony of sound and it was interesting but not very versatile/useful sonically, IMO. And it got louder with the depth control turned up. As horrible as "ultra trem" with deep washy reverb sounds together, it sounds markedly worse when there's a thumping sound component thrown into that mix. Trust me on that!
 And it got louder with the depth control turned up. As horrible as "ultra trem" with deep washy reverb sounds together, it sounds markedly worse when there's a thumping sound component thrown into that mix. Trust me on that!  
  I don't recall this thumping trem happening the other day when I trialed the amp after aforementioned replacing of nearly every component in the amp. However, I didn't spend much time demoing everything very thoroughly during that initial trial so maybe I missed it. I could be imagining it but the thumping seems a little inconsistent: I'll play a little bit, turn up the depth and then the thumping is apparent within about 5 seconds. I turn the depth back down and no thumping, play again for another 10 minutes, turn the depth back up and for the first 5 seconds there's no thumping and then, wham-o, the thumping kicks back in...
  I don't recall this thumping trem happening the other day when I trialed the amp after aforementioned replacing of nearly every component in the amp. However, I didn't spend much time demoing everything very thoroughly during that initial trial so maybe I missed it. I could be imagining it but the thumping seems a little inconsistent: I'll play a little bit, turn up the depth and then the thumping is apparent within about 5 seconds. I turn the depth back down and no thumping, play again for another 10 minutes, turn the depth back up and for the first 5 seconds there's no thumping and then, wham-o, the thumping kicks back in...  I know, CRAZEE, right? In my mind, it was necessary to do this in order to carry out this nearly wholesale component replacement. In fact, now's a good time for me to share some pictures of the progress I made on this preamp to this point to illustrate the amount of work it took to do this. Just in case anyone is hankering to attempt to do something this insane in the future...
  I know, CRAZEE, right? In my mind, it was necessary to do this in order to carry out this nearly wholesale component replacement. In fact, now's a good time for me to share some pictures of the progress I made on this preamp to this point to illustrate the amount of work it took to do this. Just in case anyone is hankering to attempt to do something this insane in the future...  
 




 and going back to the tremolo thumping: I'm thinking that because I changed out everything in that circuit for new components (including the diodes), I can't help but wonder if this thumping sound in the trem could have been cured by just replacing those three transistors?
 and going back to the tremolo thumping: I'm thinking that because I changed out everything in that circuit for new components (including the diodes), I can't help but wonder if this thumping sound in the trem could have been cured by just replacing those three transistors?   
  but it would be kinda nice to have a non-thumpy sounding trem. It's kind of a unique sounding trem based on its design, but even better sounding when it's not thumping!
 but it would be kinda nice to have a non-thumpy sounding trem. It's kind of a unique sounding trem based on its design, but even better sounding when it's not thumping!  
