New Creamback

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rogb
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Re: New Creamback

Post by rogb »

Reeltarded wrote:Robert Johnson influenced the people who influenced the people who influenced us. The tree grows from there. There are others, but only that one sits at the base.

You really took what I said as what you wanted to hear. You missed the part about people not being able to cop his thing. (Think about what that means) You missed the meaning when you picked a part. Seriously. :)

Our perception and memories need bounds. I deal with this on a moment to moment basis every day of my life.

Influential doesn't mean technically excellent. Technical excellence doesn't denote a wonderful performance.

This is what I think about Jimi Hendrix:

http://www.youtube.com/watch?v=EsJWnt6dwxM

Go ahead. Cop that. ;)
I think you're over simplifying the influence phenomenon, in a condescending way, as if you were speaking to idiots. We're not. Most of us older fellows who have also been playing since Hendrix was around have also studied and researched the music we love, right back to its roots in tribal chants in Africa, Moorish instrumentals and the history of stringed instruments.
Thing is, we don't go around pointing out that our perception is somehow better than the next mans, that would be dumb and insulting.

I'm not very keen on martial arts, for instance, but I would never put down an exponent such Bruce Lee as being just a showman. That would be disrespectful.

No I wasn't singling out what you said. I quoted what you wrote. If you had a between the lines agenda, then I didn't spot it, sorry.

I thought Greg copped his thing pretty well, as a contemporary reading of a 40 year old tune.

Love the you tube clip, thanks :P
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Reeltarded
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Re: New Creamback

Post by Reeltarded »

Ok :)
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cbass
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Re: New Creamback

Post by cbass »

I like guys like James Burton.Chet Atkins.Jerry Reed.Doc Watson. And about any good bluegrass picker but hendrix is the reason I wanted to play guitar when i was a kid.
cobalt
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Re: New Creamback

Post by cobalt »

WOW!

Anybody consider Charley Patton?
He totally influenced the first generation of electric bluesmen(therefor all rock).
He was virtually blind.
He played OVERHAND!

Granted, the surviving recordings are low quality, but you can still hear what he's doing.
JM2C

weirddave
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cbass
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Re: New Creamback

Post by cbass »

Hell this guy cops a better hendrix than anyone.

http://www.youtube.com/watch?v=rVUw62pxDGw
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Reeltarded
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Re: New Creamback

Post by Reeltarded »

He is great, isn't he?!
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Structo
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Re: New Creamback

Post by Structo »

That Greg Koch video was awesome, very underrated player.
Tom

Don't let that smoke out!
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jelle
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Re: New Creamback

Post by jelle »

cbass wrote:Hell this guy cops a better hendrix than anyone.

http://www.youtube.com/watch?v=rVUw62pxDGw
Wow, that is great!! Love it! :D
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M Fowler
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Re: New Creamback

Post by M Fowler »

Reeltarded wrote:Word! I buy 800 era cabs with 65 or 75s for cheap, gut them for spares, then I sell the blank cabs.
:lol: I buy Peavy 412 cabs for cheap take out the Sheffield's and replace with celestion Vintage 30's. Got 3 of them lining my jam room. One bare 412 straight bottom and two 412 slants. I always use two amps when gigging through a 412.

They are made from Russian baltic birch plywood and strong as can be.

Mark
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renshen1957
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Re: New Creamback

Post by renshen1957 »

LeftyStrat wrote:I really like listening to Hendrix, more than any other guitarist, well him, and David Gilmour. Oh and George Harrison. He supposedly wasn't all that great of guitarist, but I find his licks quite tasty. And I enjoy both Albert and B.B. King, though I guess you could say they are both pretty limited as guitarists. After all, the only style they could play was blues. Adrian Legg does some interesting things, but let's face it, he probably sucks at metal. I guess the most technically adept guitarist I enjoy listening to is Steve Hillage. But hell, where's his classical pieces?

I don't really enjoy listening to Malsteem, he can't do blues. Swedes don't play blues, they just turn blue. Vai and Satriani bore me after a while, they can't sing and certainly can't chicken pick. SRV? Hey dude, learn some dynamics and how to play softly, then you won't need to use such a heavy gauge anchor cable.

Knopfler can chicken pick, but doesn't really have the hair to be a great guitarist.

Francisco Tarrega? Hey dude, nice guitar, but can you play the lute?

John Mclaughlin? Hey dude, too many notes, ever heard of B.B. King?

Robin Ford or Larry Carlton? Hey dudes, get out of my dentist's office.

I changed dentists and now go to a lesbian dentist that plays XM radio. Hello John Mayer. Somehow I feel you might come up if I google "Douchebag Guitarist."

Bela Fleck? What the hell kind of guitar is that?

Frank Zappa? I didn't know comedians could even play guitar.

EVH? Let's hear you play some Django.

Wait, wait. This just in. The greatest, most versatile guitarist in the world was Tommy Tedesco. None of the other guitarists mentioned ever wore a tutu.

Though, the award for sexiest guitarist goes to this guy:

http://www.youtube.com/watch?feature=pl ... m0x8#t=18s
:lol: + 1

I though Frank Zappa wore a Tutu. Cheech dressed up in a Tutu of his movies for the song that is known as "Earache my eye," in tribute. One of the last lines of the movie was their band could be "greater than Ruben and the Jets."

However, the movie in the credits didn't say if Cheech's amp had Greenbacks or not.

I like your comment on George Harrison. George was one of the last of the "Old School Lead" Guitar players who added fills and licks in between until the Guitar Solo. He played solos in the BBC radio programs (the complete programs not the paired down 2 CD that were basically versions that sounded the most like George Martin's produced songs) that were significantly better than the record versions, and a lot less constricted. When the Beatles started out they for a short time took on stage names, George's was Carl Harrison (he signed at least one autograph that way) to honor Carl Perkins.

John had his share of solos (the first solo in Long Tall Sally) and Paul solo'd a goodly number in their studio albums.

George didn't shred, he played just enough of the notes at the right time. His later slide work was interesting too, but still in the same vein, less is more. Exception was the songs, "All To Much" and "The End" when all three Beatles took turns in the spotlight.

But I don't think they used Celestions.

On the other Richie Blackmore used Celestions, but as he said, he's always forgotten when great Guitarists are listed. Maybe that's why he goes to Renaissance Fairs to play the Lute.

Best Regards,

George
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cbass
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Re: New Creamback

Post by cbass »

M Fowler wrote:
Reeltarded wrote:Word! I buy 800 era cabs with 65 or 75s for cheap, gut them for spares, then I sell the blank cabs.
:lol: I buy Peavy 412 cabs for cheap take out the Sheffield's and replace with celestion Vintage 30's. Got 3 of them lining my jam room. One bare 412 straight bottom and two 412 slants. I always use two amps when gigging through a 412.

They are made from Russian baltic birch plywood and strong as can be.

Mark
Wich ones are made from plywood?
LeeMo
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Re: New Creamback

Post by LeeMo »

Not about speakers. But.....
This guy influenced Robert Johnson. Here he is playing with tears in his eyes. Just sayin'.
http://www.youtube.com/watch?v=MLD9Iej5 ... ure=fvwrel

LeeMo
I bought a pair of shoes from a drug dealer the other day. I dunno what he laced them with but I’ve been tripping all day,
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M Fowler
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Re: New Creamback

Post by M Fowler »

cbass wrote:
M Fowler wrote:
Reeltarded wrote:Word! I buy 800 era cabs with 65 or 75s for cheap, gut them for spares, then I sell the blank cabs.
:lol: I buy Peavy 412 cabs for cheap take out the Sheffield's and replace with celestion Vintage 30's. Got 3 of them lining my jam room. One bare 412 straight bottom and two 412 slants. I always use two amps when gigging through a 412.

They are made from Russian baltic birch plywood and strong as can be.

Mark
Wich ones are made from plywood?
Not sure about a model number but see the photos of three different cabs all plywood construction.

Mark
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cbass
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Re: New Creamback

Post by cbass »

Thanks Mark,I see 5150 cabs from time to time didn't know if they were any good.

Damn nice amps. Bet you don't have to worry about competing with the drummer in there.
Bear
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Re: New Creamback

Post by Bear »

cbass wrote:Thanks Mark,I see 5150 cabs from time to time didn't know if they were any good.

Damn nice amps. Bet you don't have to worry about competing with the drummer in there.
All the reports I've heard are that the Peavey 5150 cabs are themselves solid. The speakers are the only place people complain that I can see.
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