yoyohomieg5432 wrote:I'm assuming idle current is the current when not playing? Why would you want to adjust this?
Idle current is what most people call "bias." It's the zero-signal or quiescent current.
In preamp stages, the zero signal current is set about half-way between full-on and full-off so that the stage can amplify both positive and negative signal swings applied at the input with approximately equal effectiveness. This is a class A amplifier stage, where the tube is conducting current over 100% of a zero-positive-zero-negative-zero cycle. If the signal is a sine wave you can say it is conducting over 360 degrees of each cycle. If much power is needed, this is very inefficient, as the average current is the same at zero signal as it is at full power.
A big improvement can be made using a push-pull stage with two tubes, where one tube conducts current only on the positive signal swing and the other only on the negative swing. At zero signal, no current flows through either side. The two outputs can then be combined to reproduce the complete signal. This is a class B stage, where each device conducts over exactly 180 degrees of a sinusoidal input signal.
Most audio power amps are class AB, where a push-pull stage is used, but with some overlap so that both sides are conducting current when the signal voltage is near zero, or in other words each device conducts current for more than 180 degrees but less than 360 degrees of a sinusoidal signal.
When you adjust the idle current or bias, you are adjusting the amount of overlap by adjusting a DC voltage reference or "offset" about which the signal voltage varies. If there is too little overlap, distortion of the signal will occur around the point where the signal crosses over from positive to negative. If there is too much, the limit of the ability of the tubes to dissipate waste heat can be exceeded, resulting in shortened life. Production variation from one part to the next results in different idle current for a given applied voltage, so some means to make an adjustment of the bias voltage is useful.
OneWithNot wrote:Have you considered just how freaking loud and heavy a tweed Bassman is? Maybe drop by a local Guitar Center and try out a reissue just to see.
Good idea!
Here's my put at a "modernized" 5F6-A layout for critical review:
Edit: Updated layout and schematic is here:
https://tubeamparchive.com/viewtopic.ph ... 321#226321