Many times bass roll off can take place by design at the driver / phase inverter, or before or after any of the gain stages due to the value of the coupling cap used.
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I don’t see how R28 relates to the tone stack?
Perhaps it’s a current limiting resistor for LED_Ch2.
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Looks like R12 is the slope resistor in a typical MFV tone stack (R1 in the Tone Stack Calculator below). I'd try bumping that up from 22K to 33K (Marshall 1987) for starters.
Duncan Munro FMV.png
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Thanks! Would you mind helping me out with the TSC plot? I know how to change the values, but I can't really identify the components (which resistor is which, what is R5 in the plot).
Oops, I misread your note, thinking you said bass was too much. Increasing R1- the slope resistor shifts more of the signal to the treble frequencies. On my 1987 clone I increased the slope resistor to 56K to tame the bass response.
It may be that your low bass response is the result of a preamp cathode bypass cap or coupling cap may need tweaking. This is hard to know without the schematic.
However, here is my guess at mapping your board components to the TSC components:
Brd -> TSC
C11 -> C1
C12 -> C2
C13 -> C3
R13 -> R1
R5 appears to be the tone stack load impedance. This is (for the FMV tone stack) a phase inverter. It is not a tone stack adjustment, but it can be used model the effect of varying load impedance on the tone stack. For your purposes, you can leave it as it and compare the result of tweaking the capacitors and slope resistor, R1.
statorvane wrote: ↑Mon Jun 13, 2022 8:56 am
Oops, I misread your note, thinking you said bass was too much. Increasing R1- the slope resistor shifts more of the signal to the treble frequencies. On my 1987 clone I increased the slope resistor to 56K to tame the bass response.
…
The slope resistance kinda acts (with the other stuff) to set the max differential between the midrange shelf and the treble and bass shelves.
So a higher slope resistance allows the tone stack to be adjusted to increase the relative bass (and / or treble) response.
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Thank you guys for all your help, I can understand this much better now.
And I can play with TSC now! I'm thinking about the following changes..
Deeper bass and more scooped mids
Other than the value of C2, this is the same as the Fender 5F6-A and Marshall 1986 bass amp tone stacks. I believe Duane Allman played the Marshall on the Fillmore East recording.