Sheesh. You've got some great ideas there, Henry. One's that I've thought about doing, but you've done them really elegantly. The voicing on the OD section...not sure what you're doing there, though.
The other thing is the slick layout ergonomically. I'm a usability guy by profession, and having the labels on the faceplate and on the horizontal crosspiece in front of the controls is slick. Nicely done, and I bet it sounds fantastic.
Sheesh. You've got some great ideas there, Henry. One's that I've thought about doing, but you've done them really elegantly.
Thanks
greiswig wrote: The voicing on the OD section...not sure what you're doing there, though.
Its a 3 pole switch and manipulates various combination's of entrance values, bypass cap and fizz filter.
greiswig wrote:
The other thing is the slick layout ergonomically. I'm a usability guy by profession, and having the labels on the faceplate and on the horizontal crosspiece in front of the controls is slick. Nicely done, and I bet it sounds fantastic.
It does
bluesfendermanblues wrote:
WHAT? Shocked a Red Plate Amp not covered in red tolex? Cool
There's red tolex on there Sometimes a customer wins the argument, something about looking a certain way for the videos.
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heisthl wrote:
Other than the smaller panel hole, you'd never know the difference between the 16mm and the 24mm - BONUS: actually smoother than the CTS pots.
Good to know! Thanks
So far I used the 16 mm Alphas a lot in stompboxes including a D-style stompbox preamp (and liked the smooth feeling of them) but I was hesitant to put them in a "real" amp....paranoid I guess
greiswig wrote:I'm a usability guy by profession, and having the labels on the faceplate and on the horizontal crosspiece in front of the controls is slick.
When I first looked at that I thought it was just the reflection of the labeling onto a shiny metal trim, but it would be upside down if it were.