ayan wrote:martin manning wrote:...Even given the vagaries of this simple analysis, I don't think there is anything to worry about using 30pf/ft cable, is there?
MPM
Hard to tell because of the preceding tone stack, I guess your analysis assumes the output impedance of the TS is 0, which is not actually the case. Also, you analysis ignores the contribution of the Miller effect, which will tend to make effect of the capacitance greater by a factor equal to the gain of the following tube stage. In any case, striving for the lowest cpacitance shielded cable, in my most humble opinion, is not the answer. I know some of you have measured the capacitance of the cables used by Dumble, and the numbers shouldn't be low -- they are not as per my findings. Shoot for something super low and you will end up with a harsh sounding amp, which you will then need to tame hanging caps to ground or using larger output resistors, etc. Some of the older amps -- the holy grail ones to some -- with the Radio Shack shielded wire probably have in excess of 100pF per foot... add it all up, and it begins to make an audible difference. Easy enough to do, start hanging caps to ground and listen to determine when it starts to make a difference to you.
Cheers,
Gil
I was looking for a back-of-an-envelope estimate to see whether it was worth chasing down low-capacitance cable. The answer is no, I guess. Sticking with the simple approach, 100pf/ft cable would put the corner point at about 8.5kHz...
Re the circuit analysis (and I know just enough to be dangerous), this "volume" cable run feeds a parallel R-C (220K||500pf), and then the V1b grid. Re the Miller effect, I thought it was only the inter-electrode capacitance that is multiplied by the gain. Am I wrong about that?
All that aside, I know what is important in the end, and that it is not always possible to reduce it to numbers. The numbers can help steer you in the right direction, though.
Tom, if I had an existing amp that seemed too bright or harsh, I wouldn't go tearing out cable just yet, but do as Gil suggests and tack some small caps across the ones you have in your amp and see what that does.
"You got to remember the name of the game is 'what does it
sound like?'"
-Ray Charles speaking about studio recording technology in the film "Tom Dowd and the Language of Music."
MPM