( http://soundclick.com/share?songid=6584689 )
Good grief man!!!! No lack of ideas in those cuts. Man that is sweet stuff. Is the tele cut the first one? What about the other two?
Rock on!
Dan
			
			
									
									If I Make Only One Contribution to TAG, This Is It....
Moderators: pompeiisneaks, Colossal
- skyboltone
 - Posts: 2287
 - Joined: Wed May 10, 2006 7:02 pm
 - Location: Sparks, NV, where nowhere looks like home.
 
Re: If I Make Only One Contribution to TAG, This Is It....
The Last of the World's Great Human Beings
Seek immediate medical attention if you suddenly go either deaf or blind.
If you put the Federal Government in charge of the Sahara Desert, in five years time there would be a shortage of sand.
						Seek immediate medical attention if you suddenly go either deaf or blind.
If you put the Federal Government in charge of the Sahara Desert, in five years time there would be a shortage of sand.
Re: If I Make Only One Contribution to TAG, This Is It....
That's kind of a fattened up Roy Buchanan sound on that first third. A little more edge and whew!ic-racer wrote:This explanation is somewhat a stretch of the imagination, but here goes:greiswig wrote: What is this supposed to actually do?
It is like "Smooth and Slim" for the ODS 124
I have never heard a "Smooth and Slim" but after reading about it's effects on the Mesa Mk I's flabby bass notes, I thought I heard a similar effect on the 124; the tone seemed smoother and slimmer.
Maybe a better way to look at it is that if you amp has a bright, coarse distortion, the 250pf/220k will smooth it out. If you already tweaked your amp to get a smooth distortion, the extra 250pf/220k may sound bad. My single coil guitars do not sound good with it. The Telecaster in this clip ( http://soundclick.com/share?songid=6584689 ) was recorded WITHOUT the 250pf/220k. To me the 250/220 sounds best with double coil guitars, but I'm still experimenting with it.
Re: If I Make Only One Contribution to TAG, This Is It....
Thanks for that.rfgordon wrote:No problem to explain.
In my amp I have installed, post Master, the IronSounds loop card, so the ouput of the loop card goes to the PI input capacitor.
I soldered the cap (actually two: 150pF + 200pF ceramics) across a 220k cf resistor. I un-soldered the shielded input to the PI, put one end of the new R/C into that eyelet, the other into another eyelet, and put the wire into this second eyelet. So the signal comes from the loop card >> thru the 250pF/220k part >> into the PI entrance.
Because I use the IronSounds loop, I don't have switching jacks to put it on, so it just precedes the PI entrance cap.
I wouldn't have believed such a simple mod could have such a profound impact on the amp's personality, but it did. After installing this, I found that if I adjusted the OD entrance trimmer, there was a nice sweet spot where the Dumble squeaky attack was best--it was, actually, at a higher setting than I'd been using.
So anyway, I'm much happier with the amp now. It goes out with me Saturday to play a gig at, of all things, a bachelorette party!!
I also have the Ironsounds loop in my amp as well.
Tom
Don't let that smoke out!
						Don't let that smoke out!
Re: If I Make Only One Contribution to TAG, This Is It....
So, after playing around with this for a while I treat the effects loop patch like one of the front panel switches. It gives a change in amp character that is pronounced and distinctly different from BRIGHT, DEEP, MID BOOST and JAZZ/ROCK.