Zippy wrote:rp wrote:The cathode bias isn't useful at higher volumes ...
What's not working in that situation?
Crunch mostly. Years ago when I built the 5F6A I was really into 5E3s and thought the CB would give me a 40W Deluxe (oh boy!) and one DPDT a resistor and a cap was an easy way to experiment. It's likely just my personal tastes, but I find as the dbs and watts go up I unquestionably prefer the definition, crunch and attack that the fixed bias gives. Loud in CB it actually sounds pretty similar to loud fixed but it's missing something, loud in fixed it just sounds right there. I like hard hitting amps when turned up, low powered amps don't hit hard so I don't notice what I'm missing, and I now know I don't want a 40W 5E3. If I was a touring musician playing out w/ it I'd remove the CB option.
But, played medium in CB it's really sweet, warm, and bouncy with a lot more headroom than a Deluxe, a really pretty sound especially for country licks. A bit like a Matchless, a lot of slam but more smooth and singy rather than grindy-crunchy. Two very different amps in one. I avoid that multi-tasker thing (probably cause I can just build two amps) but this works well (and I'm running out of space for amps.)
Anyway, for years I thought CB was better for under 20W and fixed above, and that was that. But, building a Harvard (small and fixed) made me realized that it's not cathode bias that's special it's just certain CB amps I like - at certain times. If I didn't know how to build amps I'd be a ceramic speaker, ss rec, fixed bias guy, but since I can build amps and I got the needle in deep, I get to play around and confuse myself.
BTW I keep meaning to try the SS adapter in the 5E3 now that I rebuilt it w/ a lower B+. Might suit me better, or it might loose it's mojo. I bet it looses it's mojo.
This whole amp thing is never straightforward.