I wonder why tube manufacturers/ design engineers recomend specific load impedences? I wonder why they post performance curves based on those impedences? What is a practical lower limit for plate load? Granted that some tubes are routinely used at extremes; say 6L6s at 4400 instead of 5000 or 6V6s at 6000. KF used 5200 for a quad of EL-84s but that's off the charts on the high side. Or with Ginger he used 6600 for the quad. That computes really to 13200ohms per pair at 325VDC on the plates. With cathode bias the curves show something more like 8800. If this is a new design paradigm I submit we ought to try a set of DC blocking caps at the plates and just plug it right into the cabinet. 8 ohms PP at say 0 output. Now that's bandwidth; +/- 0db from 0 hz to infinity.Andy Le Blanc wrote:the load determines the reflected impeadance that the tube sees
ie...... 6.6k and a 8 ohm load is a ratio 825 to 1..... so at 4 ohms the
reflected impeadance is 3.3K which may show sonic benifits of a lower impeadance
like a wider bandwidth..... or the sweet spot for the tube type
or the preferd tone for the ear of the beholder
I'm sorry, I just know that tubes are designed to push a specific load and most designers stay pretty close to that ideal. They build the circuit around the tube rather than forcing the tube to behave in a strange environment. I maintain that any 6CA7/EL-34 that sounds mushy at 6.6K PP load has some other handicap working. Especially an Express!! There are lots of ways to make an amp mushy in the low end, but I'd start with the preamp and tone stack first and move forward. Not just half the load impedence and power output of the output tubes. Come to think of it I've never heard an EL-34 mushy or flabby. Usually they come on pretty crisp. British tone and all that right?